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Live Band Music Mp3 - Stream and Download Online on SoundCloud

Being a complete music creation platform in itself, BandLab is the best recording studio app for Android. That's because it is more than just a music recording app. It is a complete music maker that also lets you edit and remix your music. With a 12-track mixer, a guitar tuner, a looper, and lots of audio samples, it's great for band and musician setups.

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A jam band is a musical group whose concerts (and live albums) are characterized by lengthy improvisational "jams." These include extended musical improvisation over rhythmic grooves and chord patterns, and long sets of music which often cross genre boundaries.[1] Most jam band sets will consist of variations on songs that have already been released as studio recordings. Jam bands are known for having a very fluid structure, often having one song lead into another without any interruption.

The jam-band musical style, spawned from the psychedelic rock movement of the 1960s, was a feature of nationally famed groups such as the Grateful Dead and The Allman Brothers Band, whose regular touring schedules continued into the 1990s. The style influenced a new wave of jam bands who toured the United States with jam band-style concerts in the late 1980s and early '90s, such as Phish, Blues Traveler, Widespread Panic, Dave Matthews Band, The String Cheese Incident, and Col. Bruce Hampton and the Aquarium Rescue Unit. The jam-band movement gained mainstream exposure in the US in the early 1990s with the rise of Phish and the Dave Matthews Band as major touring acts and the dissolution of the Grateful Dead following Jerry Garcia's death in 1995.

Jam-band artists often perform a wide variety of genres. While the Grateful Dead is categorized as rock,[2] by the 1990s the term "jam band" was applied to acts that incorporated genres such as blues, country music, contemporary folk music, funk, progressive rock, world music, jazz fusion, Southern rock, alternative rock, acid jazz, bluegrass, folk rock and electronic music into their sound.[1] Although the term has been used to describe cross-genre and improvisational artists, it retains an affinity to the fan cultures of the Grateful Dead or Phish.[3]

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A feature of the jam-band scene is fan recording of live concerts. While the mainstream music industry often views fan taping as "illegal bootlegging", jam bands often allow their fans to make tapes or recordings of their live shows. Fans trade recordings and collect recordings of different live shows, because improvisational jam bands play their songs differently at each performance.

Rolling Stone magazine asserted in a 2004 biography that Phish "was the living, breathing, noodling definition of the term" jam band, in that it became a "cultural phenomenon, followed across the country from summer shed to summer shed by thousands of new-generation hippies and hacky-sack enthusiasts, and spawning a new wave of bands oriented around group improvisation and super-extended grooves."[7] Another term for "jam band music" used in the 1990s was "Bay Rock". It was coined by the founder of Relix magazine, Les Kippel, as a reference to the 1960s San Francisco Bay Area music scene, which included the Grateful Dead, Jefferson Airplane and Moby Grape, among many others.

Although in 2007 the term may have been used to describe nearly any cross-genre band, festival band, or improvisational band, the term retains an affinity to Grateful Dead-like bands such as Phish.[3] Andy Gadiel, the initial webmaster of, states in Budnick's 2004 edition of Jambands that the music "...had a link that would not only unite bands themselves but also a very large community around them."[9]

By the late 1990s, the term jam band became applied retroactively in jam band circles for bands such as Cream,[10] who for decades were categorized as a "power-trio" and "psychedelic rock", and who when active were largely unrelated to the Grateful Dead, but whose live concerts usually featured several extended collective improvisations. In his October 2000 column on the subject for, Dan Greenhaus attempted to explain the evolution of a jam band as such:

The Jammy Awards have had members of non-jamming bands which were founded in the 1970s and were unrelated to the Grateful Dead perform at their show such as new wave band The B-52's.[12] The Jammys have also awarded musicians from prior decades such as Frank Zappa.[13]

The band that set the template for future jam bands was the Grateful Dead, founded in 1965 by San Francisco-based guitarist Jerry Garcia. The Dead attracted an enormous cult following, mainly on the strength of their live performances and live albums (their studio albums were only modest successes and received little radio play). The band specialized in improvisational jamming at concerts. They played long two-set shows, and gave their fans a different experience every night, with varying set lists, evolving songs, creative segues, and extended instrumentals. Some of their fans, known as "Deadheads", followed their tours from city to city, and a hippie subculture developed around the band, complete with psychedelic clothes, a black market in concert-related products, and drug paraphernalia. The band toured regularly for most of three decades.

Improvisations have taken a backseat to more polished material, which may be due to their crossover commercial successes, MTV videos, and mainstream radio airplay. Most notable in pre-jam band history was the obvious influence of the Grateful Dead. By the end of the decade, Phish had signed a recording contract with Elektra Records, and transformed from a New England/Northeast-based band into a national touring band (see: Colorado '88). While they may not have had Phish's commercial success, "With its fusion of southern rock, jazz, and blues, Widespread Panic has earned renown as one of America's best live bands. They have often appeared in Pollstar's "Concert Pulse" chart of the top fifty bands on the road, and they have performed more than 150 live dates a year."[19]

The third generation of jam bands appeared in the late 1990s and early 2000s, many inspired by Phish and other acts of the second wave. These included Soulive, Gov't Mule, The Derek Trucks Band, Warren Haynes, Chris Duarte Group, Robert Randolph and the Family Band, The Other Ones, Bob Weir & Ratdog, Phil Lesh and Friends, Further, Medeski, Martin & Wood, Dave Matthews Band,[23] Trey Anastasio, Merl Saunders, Galactic,[24] Steve Kimock Band and My Morning Jacket.[25] Additionally, groups such as The Disco Biscuits and Sound Tribe Sector 9 added electronic and techno elements into their performances, developing the livetronica subgenre. The early 2010s saw a fourth generation of jam bands, including Dopapod, Pigeons Playing Ping Pong, Goose, Twiddle, Moon Taxi and Spafford. Members of the Grateful Dead have continued touring since 1995 in many different iterations, such as The Dead, Bob Weir & Ratdog, Phil Lesh and Friends, Donna Jean Godchaux Band, 7 Walkers, Furthur, and Dead & Company. Members of other jam bands often perform together in various configurations and supergroups, such as Tedeschi Trucks Band, Oysterhead, and Dave Matthews & Friends. A consequence of Phish's repopularization of large-scale festivals can be seen in the founding of the Bonnaroo Music Festival in 2002. This multi-band, multi-day festival which annually draws close to 100,000 music fans, started as a jam band-focused event. Over time, bands from many genres have performed at Bonnaroo, but the similarities to Phish's festivals are still apparent.

There was no clear jam-band successor after Phish's 2004 breakup. Newer bands such as STS9, Disco Biscuits, and Umphrey's McGee grew their fanbase. No upcoming jam band has yet to reach the attendance levels of Phish, who themselves had never attained the peak attendance of the Grateful Dead. The long-term fragmentation of the jam-band scene has been a continuing process. Phish held a reunion concert in March 2009 at Hampton Coliseum, and again became one of the top US concert draws. The band were one of the highest-grossing touring musical artists of both 2016 and 2017, and their 13-night "Baker's Dozen" run at Madison Square Garden in 2017 grossed $15 million.[26][27]


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